Oil On Canvas, Real Flavor of Old Masters

All Jan Weenix 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
43219  
A Deerhound with Dead Game and Implements of the Chase, Jan Weenix
  		 A Deerhound with Dead Game and Implements of the Chase   mk170 1708 Oil on canvas 173.5x157cm
67437  
A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background, Jan Weenix
  		 A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background   1714 Oil on canvas 172 X 160 cm (67.72 X 62.99 in)
65934  
After the Hunt, Jan Weenix
  		 After the Hunt   1665 Oil on wood 44,7 x 34,5 cm
67699  
After the Hunt, Jan Weenix
  		 After the Hunt   1665(1665) Oil on wood 44,7 X 34,5 cm
70218  
After the Hunt, Jan Weenix
  		 After the Hunt   Medium Oil on wood Dimensions 44,7 X 34,5 cm
90963  
Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple, Jan Weenix
  		 Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple   1694 Medium oil on canvas cjr
95484  
An Italian Seaport, Jan Weenix
  		 An Italian Seaport   circa 1666(1666) Medium oil on canvas cyf
69955  
Een aap en een hond bij dood wild, Jan Weenix
  		 Een aap en een hond bij dood wild   Medium Oil on canvas Dimensions 0172 ?? 160 cm
27357  
The Departure of the prodigal son, Jan Weenix
  		 The Departure of the prodigal son   mk56 oil on canvas
Jan Weenix
Dutch Baroque Era Painter , Amsterdam 1640/42-1719 Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.



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